Document Type
Original Study
Subject Areas
Language/Linguistics and Literature
Keywords
Post -colonialism, Homi Bhabha, Athol Fugard, Blood Knot, Third Space, Hybridity, Colonial Mimicry
Abstract
Literature, as a branch of Humanities, has a significant role in demonstrating the problems and the realities of a society. Therefore, the literary texts written in South Africa, had a major role in the victory of people against the policy of Apartheid, according to which the whites were segregated from non-whites. Harold Athol Lanigan Fugard is one of the writers, who showed his hatred and dissatisfaction to the world, with his plays. He is known for his deeply rooted and controversial anti-apartheid plays. His Blood Knot (1961) has been chosen in this study, in which the negative implications of colonialism and racism can be explored. Bhabha is one of the influential critics whose works give priority to the agency of colonized people. The relation between the colonizer and the colonized will be scrutinized subsequently according to what Bhabha mentioned in his influential book The Location of Culture.
How to Cite This Article
Ghasemi, Parvin; Sasani, Samira; and Nemati, Fatereh
(2018)
"Third Space, Hybridity, and Colonial Mimicry in
Fugard's Blood Knot,"
Khazar Journal of Humanities and Social Sciences: Vol. 21:
Iss.
1, Article 3.
DOI: 10.5782/2223-2621.2018.21.1.34
Available at:
https://kjhss.khazar.org/journal/vol21/iss1/3
Publication Date
2018